2007 Audition Requirements
Description of SYMPHONY Orchestra:
The Symphony Orchestra is an advanced full symphonic orchestra including strings, winds, brass and percussion. The students in this orchestra are generally in high school and the upper grades of middle school.
Level of Ability & Suggested Audition Repertoire:*
It is recommended that all players have previous ensemble experience and be well advanced in the command of their instrument. Confidence in sight-reading and advanced control of intonation and tone quality is expected. Solos should be of the level required for CMEA Capital Section Honor Orchestra or Band, or solos rated level 4 and above.
Audition requirements:
Strings
• 2 octaves of any major scale in quarter notes, at a tempo of 144
• 2 octaves of any melodic minor scale in quarter notes at a tempo of 120
3-4 minute excerpt of an unaccompanied solo (skip over long rests) that demonstrates your ability.*
Winds
• 2 octaves of any major scale in quarter notes, at a tempo of 144
• 2 octaves of any melodic minor scale in quarter notes at a tempo of 120
• A Chromatic scale using the full range of your instrument
• 3-4 minute excerpt of an unaccompanied solo (skip over long rests) that demonstrates your ability.*
Brass
• 2 octaves of any major scale in quarter notes, at a tempo of 144
• 2 octaves of any melodic minor scale in quarter notes at a tempo of 120
• A Chromatic scale using the full range of your instrument
• 3-4 minute excerpt of an unaccompanied solo (skip over long rests) that demonstrates your ability.*
Percussion
Mallets:
• Scales (up to 4 flats or sharps), ascending and descending, two octaves
Timpani:
• Ability to tune the timpani to a pitch in the B flat scale, utilizing a tuning fork
• Fifteen-second roll, dynamics: pp to ff to pp
• Demonstrate dampening, moving between 4 timpani
Snare Drum:
• Demonstrate the appropriate rudiments on snare drum: closed rolls, alternating
flam taps and drags, ruffs
Sight-reading: •You will be asked to sight-read on snare
All musicians will be asked to sight-read.
*When deciding on solo literature, consult your private teacher, school music teacher, or SYS conductor for ideas and assistance.
Remember to list your solo selection on your application.
| Sierra Mountain Music Camp SUGGESTED AUDITION REPERTOIRE LIST |
| STRINGS |
| Violin Concerto in A minor Accolay Any partita or sonata for unaccompanied violin Bach Concertos Bach C Major Concerto Haydn Concerto #3, 4, or 5 (1st mvt.) Mozart Concerto Reiding Concertos Seitz Concertos No. 22 or 23 Viotti Concertos Vivaldi Other concertos from the standard repertoire | Cello Sonata No. 3 (2 contrasting mvts.) Vivaldi Sonata in G Major (1st or 3rd mvt) Sammartini Sonata in d minor (2 contrasting mvts.) Corelli Concerto in C Major (1st mvt.) Haydn Concerto #1 (1st mvt.) Saint-Saens The Swan Saint-Saens Concerto in D Tartini Any mvt. from any solo suite Bach Other concertos from the standard repertoire |
| Viola A movement from any solo suite Bach Concerto in c minor (1st mvt.) Bach Concerto b minor (1st mvt) Handel/Casadeus Concerto in D Major (1st mvt.) Hoffmeister Andante and Hungarian Rondo Weber Allegro Fiocco | Bass Any sonata (any mvt.) Vivaldi Any sonata (any mvt.) Marcello Concerto (either one) Dittersdorf Concerto Dragonetti Sonata in g minor (any mvt.) Eccles |
| | |
| Brass: | Winds: |
| Horn Concerto #1 Strauss Sonata for Horn Hindemith Concerto in E flat Mozart | Flute Sonatas Handel Fantasie Faure Suite in b minor, Sonatas Bach Concertos Vivaldi Concertos Quantz |
| Trumpet Concerto in E flat Neruda Concerto Arutiunian Concerto Haydn | Oboe Suite for oboe Piston Oboe Quartet K.V. 370 Mozart Concerto K. 314 Mozart |
| Trombone Concerto G. Jacob Morceau Symphonique Guilmant | Clarinet Concertino Op. 26 Weber Concerto #1 Weber Concerto K. 622 Mozart |
| Tuba Suite for tuba Hartley Suite for tuba Haddad | Bassoon Adagio and Rondo Millars Concerto in B flat Mozart |
| Percussion (choose one from each category) | |
| Snare Solo Etude for Snare, Alfred’s Drum Method, Book II Etude from Modern School for Snare Drum, Morris Goldenberg Etude from, Portraits in Rhythm A. Cirone | Mallets Orchestral Excerpt from Modern School for Xylophone, Marimba and Vibraphone; Morris Goldenberg Etude from Fundamental Method for Mallets, Mitchell Peters |